Bibliography

STUDY GUIDES IN EAST ASIAN STUDIES: 

https://guides.library.harvard.edu/c.php?g=310159

Updated Bibliography Compiled by Sunhong Kim (2024)

Books

Anderson, Crystal S. 2020. Soul in Seoul: African American Popular Music and K-Pop. University Press of Mississippi.

Baek, Dae-ung. 2006. Jeontongeumakeui Bipanjeok Suyonggwa “Hangukeumak” (Critical reception of traditional music and “Korean music”). Seoul: Bogosa.

Baek, Dae-ung. 2008. Ridŭmiran muŏshin'ga. Seoul: Minsokwon.

Fuhr, Michael. 2016. Globalization and Popular Music in South Korea: Sounding out K-pop. New York: Routledge.

Han. Benjamin M. 2020. Beyond the Black and White TV: Asian and Latin American Spectacle in Cold War America. NJ: Rutgers University Press.

Harkness. Nicholas. 2014. Songs of Seoul: An Ethnography of Voice and Voicing in Christian South Korea. Berkeley: University of California Press.

Hesselink, Nathan. 2006. P’ungmul : South Korean Drumming and Dance. Chicago: University of Chicago Press.

Hesselink, Nathan. 2012. Samulnori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture. Chicago: The University of Chicago Press.

Hŏ, Chi-yŏn. 2019. Cheguk Sok Ŭi Cheguk : Miguk Ŭi Haeoe Sŏn’gyo Wa Han’guk Ŭi Ŭmak Kyoyuk (Imperium within Imperio : The American Mission and Music Education in Colonial Korea). Sŏul: Minsogwŏn.

Howard, Kieth. 2015. SamulNori: Korean Percussion for a Contemporary World. Taylor&Francis. 

Howard, Keith. 2016. Music as Intangible Cultural Heritage: Policy, ideology, and practice in the preservation of East Asian Tradition. London, UK: Routledge.

Howard, Keith. 2020. Songs for Great Leaders: Ideology and Creativity in North Korean Music and Dance. Oxford University Press.

Jackson, Andrew David, Sîntionean, Codruța, Breuker, Remco E., and Saeji, CedarBough, eds. 2022. Invented Traditions in North and South Korea. Honolulu: University of Hawaiʻi Press.

Jeon, Jiyoung. 2004. Kach’in chonjaeǔi yesul, yǒllin yesul-chǒnjiyǒngǔi kugakp’yǒngnon. Gyeonggi: Book Korea.

Jeon, Jiyoung. 2008. Kugak Bipyǒngeǔi yǒksa. Seoul: Book Korea.

​​Jeon, Jiyoung. 2023. Chŏnt'ongyesurŭi inshikkwa kyoyukchŏk kyubŏm. Seoul: Book Korea.

Jung, Sun. 2011. Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols. Hong Kong: Hong Kong University Press.

Kendall, Laurel. 2010. Consuming Korean Tradition in Early and Late Modernity: Commodification, Tourism, and Performance. Honolulu: University of Hawaiʻi Press.

Killick, Andrew P. 2010. In Search of Korean Traditional Opera: Discourses of Ch’anggŭk. Honolulu, HI: University of Hawai‘i Press.

Killick, Andrew P. 2016. Hwang Byungki : Traditional Music and the Contemporary Composer in the Republic of Korea. Soas Musicology Series. London: Routledge.

Kim, Daehaeng. 2009. Classical Poetic Songs of Korea. Seoul, South Korea: Ewha Womans University Press.

Kim. Hoseok. 2009. Ǔnyult’alch’um ǔmakpon. Seoul: Minsokwon.

Kim, Pil Ho. 2024. Polarizing Dreams: Gangnam and Popular Culture in Globalizing Korea. Honolulu: University of Hawai’i Press.

Kim. Seonghye. 2020. “The Formation and the Distortion of the Term, Samhyeonyukgak.” Journal of the Society of Korean Historico-Musicology 65: 35-71.

Kim, Suk-Young. 2018. K-Pop Live : Fans, Idols, and Multimedia Performance. Stanford, California: Stanford University Press.

Kim, Suk-Young, ed. 2023. The Cambridge Companion to K-Pop. of Cambridge Companions to Music. Cambridge: Cambridge University Press.

Koo, Sunhee. 2021. Sound of the Border : Music and Identity of Korean Minority in China. Music and Performing Arts of Asia and the Pacific. Honolulu: University of Hawaiʻi Press.

Kwon, Donna. 2012. Music in Korea : Experiencing Music, Expressing Culture.” Book. Global Music Series. New York: Oxford University Press.

Kwon, Donna. 2024. Stepping in the Madang: Sustaining Expressive Ecologies of Korean Drumming and Dance. Middletown, CT: Wesleyan University Press.

Lee, Byong Won. 1987. Buddhist Music of Korea. Seoul: Jungeumsa.

Lee, Katherine In-Young. 2018. Dynamic Korea and Rhythmic Form. Middletown, CT: Wesleyan University Press.

Lee, S. Heijin, Meha, Monika, and Robert Ji-Song Ku. 2019. Pop Empires : Transnational and Diasporic Flows of India and Korea. Honolulu: University of Hawai’i Press.

Lee, Sukhee. 2007. Joseonhugi Gunyeongakdae-chwigosu, Seaksu, Naechwi (Military bands in the late Joseon—chwigosu, seaksu, naechwi). Gyeonggi: Taehaksa.

Lew, Walter K. Treadwinds: Poems and Intermedia Works. Wesleyan Poetry Series. CT: Wesleyan University Press.

Lie, John. 2014. K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea. Berkeley: University of California Press.

Maliangkay, Roald. 2018. Broken Voices: Postcolonial Entanglements and the Preservation of Korea's Central Folksong Traditions. Honolulu: University of Hawai'i Press.

Oh, Chuyun. 2022. K-Pop Dance : Fandoming Yourself on Social Media. London; New York: Routledge, Taylor & Francis Group.

Park, Chan E. 2003. Voices from the Straw Mat: Toward an Ethnography of Korean Story Singing. Honolulu: University of Hawai’i Press.

Park, Chan E. 2024. Korean Pansori as Voice Theatre. UK;USA;Ireland: Methuen Drama.

Russell, Mark James. 2008. Pop Goes Korea : Behind the Revolution in Movies, Music, and Internet Culture. Berkeley, Calif.: Stone Bridge Press.

Provine, Robert C. 1998. Essays on Sino-Korean Musicology: Early Sources for Korean Ritual Music. Seoul: Il Ji Sa.

Sŏng Kiryŏn. 2020. Han'gukŭmagiron yŏn'guŭi chaengjŏm. AKS inmunch’ongsǒ 29. Sŏngnam: Academy of Korean Studies Press.

Um, Haekyung. 2008. Korean Musical Drama: P’ansori and the Making of Tradition in Modernity. Farnham, UK: Ashgate.

Zile, Judy Van. 2001. Perspectives on Korean Dance. CT: Wesleyan University Press.

Dissertation/Master’s Theses

Choi, Heeyoung. 2020. “The Transnational Construction of National Music (Kugak): Musicking in the Korean Diaspora, 1903–1945.” Ph.D. Dissertation. Northern Illinois University. 

Kim, Soo Jin. 2011. “Diasporic P’ungmul in the United States: A Journey between Korea and the United States.” Ph.D. dissertation. Ohio State University.

Lee. Jeongin. 2016. “Beyond the Comfort Zone: Female Gugak Musicians Responding to 21st Century Korea.” Master’s Thesis. Texas A&M University.

Lee, Joo. 2018. Visual Genealogies of Mixed-Race Black Koreans: Transnational Representations in American and Korean Cultures. PhD Dissertation. University of Michigan-Ann Arbor.

Mueller, Ruth H. 2013. “Female Participation in South Korean Traditional Music: Late Chosŏn to the Present Day.” PhD Dissertation, University of Sheffield.

Yeo, Hyunjin. 2018. Voicing the Unheard: Gendered Practices, Discourses, and Struggles of Gugak Musicians in South Korea. University of Maryland Ph.D. Dissertation.

Articles

Chang, Hyunkyeong. 2014. “Exilic Suffering: Music, Nation, and Protestantism in Cold War South Korea. Music and Politics VIII(1). 

Chang, HyunKyeong. 2020. “A Fugitive Christian Public: Singing, Sentiment, and Socialization in Colonial Korea. Journal of Korean Studies 25 (2): 291-323.

Chang, HyunKyeong. 2021. “Transcending the Past: Singing and the Lingering Cold War in the Korean Christian Diaspora. Twentieth-Century Music 18 (3): 447-467.

Choi, Stephanie Jiyun. 2023. “K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists” In The Cambridge Companion to K-Pop, Edited by Suk-Young Kim,139-153. Cambridge University Press.

Choi, Yunja. 2015. “The “Masculine” Qualities of Korean Drumming: Focusing on Gendered Conceptions and Practices.” Music and Culture 33: 23-50. Doi:10.17091/kswm.2015..33.23.

Finchum-Sung, Hilary. 2008. “Performing the ‘Traditional’ in the South Korean Musical World.” Folklore Forum 28 (1): 55-81.

Finchum-Sung, Hilary. “Designing a Fresh Tradition: Young kugak and sonic imaginings for a Progressive Korea.” The World of Music 1 (2012):121-44.

Finchum-Sung, Hilary. 2012. “Visual Excess: The Visuality of Traditional Music Performance in South Korea.” Ethnomusicology 56 (3): 396-425. doi:10.5406/ethnomusicology.56.3.0396.

Finchum-Sung, Hilary 2018. “Everywhere and Nowhere: An Ethnomusicologist Living and Working in Korea.” Acta Koreana 21 (2): 423-442.

Hesselink, Nathan. 2009. “Youngdong Nongak”: Mountains Music, and the Samulnori Canon. Acta Koreana12 (1): 1-26.

Jeon Jiyoung. “The Introspection about the Essence of Gugak Education.” Research on cultural education 21 (3) 2015. 103-128.

Jeon, Kyoung-Wook. 2015. “T’alch’um” In Korean Musicology Series 7 ‘Yeonhui’, Seoul: National Gugak Center.

Jin. Yun Kyong. 2020. “Transmission of Goesangak during the 20th Century” The Journal of Korean Shamanism 41: 7-38.

Jin. Yun Kyong. 2022. “Traditional Piri Music of North Korea-focus on the record (1952) by Cho, Khwang-hee-” The Journal of Korean Shamanism 45: 181-208.

Kim, Heejin. 2013. “Battlefields and the Field of Music: South Korean Military Band Musicians and the Korean War” In Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making, edited by Reily, Suzel Ana et al., 79-97. Soas Musicology Series. Farnham, Surrey: Burlington, VT: Ashgate.

Kim, Hee-sun. 2012. “Performing History and Imagining the Past: Re-contextualization of Court Ensembles in Contemporary South Korea,” The World of Music 1 (1).

​​Kim. Hee-sun. 2021. “Gender Issues in the Institutionalization and Policy of Korean Traditional Performing Arts.” Journal of the Society for Korean Historico-Musicology 66: 51-84.

Koo Sunhee. 2019. “Zainichi Korean Identity and Performing North Korean Music in Japan.” Korean Studies 43: 169-195.

Koo, Sunhee. 2021. “From Korea to Japan: A Transnational Perspective on South Korea’s Important Intangible Cultural Properties and Zainichi Korean Artists” Korean Studies 45:89-116.

Kwon. Do-hee. 2003. “The Female Musicians Activity Since the Dissolution of Kisaeng Guilds.” East-Asian Music 23, 129-165.

Kwon. Do-hee. 2002 “The Female Musicians of the Nineteenth Century in Korea,” East-Asian Music 24, 17-40.

Kwon. Do-hee 2001. “Kisaeng and the Musical World in the Former Half of the 20th century” Research on Korean Music 29: 319-344.

Kwon, Donna Lee. 2015. ““Becoming One”: Embodying Korean P’ungmul Percussion Band Music and Dance through Site-Specific Intermodal Transmission.” Ethnomusicology 59 (1): 31-60.

Kwon. Eun-young. 2008. “The Status of Modern Nongak Performance Seen Through Yeoseong-nongakdan (Female Farm Musical Bands) Practical Folk Music Research 11, 197-228.

Kwon. Eun-young. 2015. “The Birth of Yeoseong-nongak and the Culture of Gwonbeon in Namwon.” The Journal of Korean Language and Literature 60, 229-265.

​​Lee, Ae Deok. 2007. “A Study of the Female Entertainers(yeoak) System during the King Yeonsan’s Period in the Joseon Dynasty.” Dance Research Journal of Korea 50, 159-177.

Lee. Bohyung. 1984. Muhyŏngmunhwajae chosa pogosŏ samhyŏnyukkak. Seoul: Munhwajaegwalliguk munhwajaeyŏn'guso.

Lee, Byong Won. 1979. “Evolution of the Role and Status of Korean Professional Female Entertainers (Kisaeng).” The World Music 21 (2): 75-84. https://www.jstor.org/stable/43560608.

Lee. Hye-Ku. 1981. Essays on Korean Traditional Music. Translated by Robert C. Provine. Seoul: Seoul Computer Press.

Lie, John. “What is the K in K-pop? South Korean Popular Music, the Culture Industry, and National Identity.” Korea Observer 43, no. 3 (2012): 339-363.

Liew, Karissa Van. “Samulnori in Schools: Recontextualizing Samulnori for a Western Setting.” Dance and Theories (3): 83-114.

Lim, Lamhee, and Patricia Shehan Campbell. 2023. “Part 1: Learning Korean (Samulnori) Percussion: Pathway Through World Music Pedagogy. Journal of General Music Education 37 (1): 14-19.

Lim. Mi Sun. 2018. “A Study on the Samhyeon Yukgak of Haeseo Focusing on Lee Bo-Hyeong’s Survey Data.” Studies in Korean Music 63: 117-142.

Nah, YoonKyeong. 2007. “Military Culture in Co-ed Colleges: Focusing on Vocalists in Music Department” Journal of Korean Women’s Studies 23 (1): 69-102.

Nam, Young-Hee. 2024. “Military Songs during the Korean War and Nation-State Building” 96: 89-126.

Park, Chan E. “Reclaiming Korea from “Korean Performance Tradition”: a critique of the contemporization of kugak.” Korean Studies 35. (2011): 25-43.

Park. Mikyung. 2012. “Modern Orchestra of Korean Instruments from its Birth to the Present: A Critical Survey.” The World of Music 1 (1): 59-80.

Saeji, CedarBough T. 2020. “From Hanok to Hanbok: Traditional Iconography in Korean Hip Hop Music Videos.” Global Hip Hop Studies 1 (2): 249–72.

Shin, Hyunjun. 2005. “The Cultural Politics of ‘K-pop’ in the Ear of Transregional Cultural Traffics.” Media and Society 13 (3): 7–36.

Sutton, Anderson. 2009.  “Korean Fusion Music on the World Stage: Perspectives on the Aesthetics of Hybridity. Acta Koreana 12 (1): 27-52.

Yates-Lu, Anna. 2021. “Plotting the course: artistry, celebrity and kugak in South Korea.” Celebrity Studies 12 (2): 250-266.

WRITINGS ON KOREAN TRADITIONAL MUSIC IN WESTERN LANGUAGES

A Preliminary Bibliography complied by Dr. Robert C. Provine (1998)

The Essentials:

Burde, Wolfgang, ed., Korea: Einführung in die Musiktradition Koreas (Mainz etc.: Schott, 1985). Various topics in Korean music, in German.

Howard, Keith, "A Compact Discography of Korean Traditional Music", Korea Journal, 36/3 (Autumn, 1996), 115-132, and 36/4 (Winter, 1996), 120-140. Very useful list of compact discs.

Howard, Keith, Korean Musical Instruments: A Practical Guide (Seoul: Se-Kwang Music Publishing Co. [Segwang ûmak ch'ulp'ansa], 1988). A survey of traditional musical instruments, plus detailed study of the p'iri, tanso, taegûm, changgo, kayagûm, kômun'go, and haegûm.

Lee, Byong Won [Yi Pyôngwôn], "Korea", in The New Grove Dictionary of Music & Musicians, ed. Stanley Sadie (London: Macmillan, 1981), X, 192-208. General survey of Korean traditional music.

Lee, Byong Won [Yi Pyôngwôn], Styles and Esthetics in Korean Traditional Music (Seoul: National Center for Korean Traditional Performing Arts, 1997. General survey of Korean traditional music. Separate CD, Korean Traditional Music I (Seoul: National Center for Korean Traditional Performing Arts, 1997).

Malm, William P., Music Cultures of the Pacific, the Near East, and Asia, 3rd ed. (Englewood Cliffs: Prentice-Hall, 1995). The chapter on Northeast Asia contains some basic information on Korean music.

Provine, Robert C., "Korea", in Ethnomusicology: Historical and Regional Studies, ed. Helen Myers, New Grove Handbooks in Music (London: Macmillan, 1993), pp. 363-376. Despite its title, this is essentially a short guided tour of scholarship in Korean traditional music, both historical and contemporary, rather than a survey of the music itself. Lists the basic works in Korean as well as Western languages.

Other Writings:

Anderson, S. M., Korean Folk Songs, M.A. diss. Eastman School of Music, 1940.

Boots, J. L., "Korean Musical Instruments and an Introduction to Korean Music", Transactions of the Korea Branch of the Royal Asiatic Society, 30 (1940), 1-31.

Condit, Jonathan, "The Evolution of Yômillak from the Fifteenth Century to the Present Day", in Chang Sahun paksa hoegap kinyôm tongyang ûmakhak nonch'ong (Seoul: Han'guk kugak hakhoe, 1977), pp. 231-262.

Condit, Jonathan, "A Fifteenth-Century Korean Score in Mensural Notation", Musica Asiatica, 2 (1979), 1-87.

Condit, Jonathan, "Korean Scores in the Modified Fifteenth-Century Mensural Notation", Musica Asiatica, 4 (1984), 1-116.

Condit, Jonathan, Music of the Korean Renaissance: Songs and Dances of the Fifteenth Century (Cambridge: Cambridge University Press, 1984).

Condit, Jonathan, "Two Song-dynasty Chinese Tunes Preserved in Korea", in Music and Tradition: Essays on Asian and other Musics Presented to Laurence Picken (Cambridge: Cambridge University Press, 1981), pp. 1-39.

Condit, Jonathan, "Uncovering Earlier Melodic Forms from Modern Performance: the Kasa repertoire", Asian Music, ix/2 (1978), 3-20.

Courant, Maurice, "La musique coréenne", appendix to his Essai historique sur la musique classique des Chinois (Paris: Delagrave, 1912), pp. 211-220. Also included, with the title "Corée", in Encyclopédie de la musique et Dictionnaire du Conservatoire, ed. Albert Lavignac, 11 vols (Paris: Delagrave, 1913-1931), Première partie: Histoire de la musique (1913-1922), 5 vols., vol. 1, pp. 211-220.

Eckardt, Andreas, Koreanische Musik (Tokyo: Deutsche Gesellschaft für Natur- u. Völkerkunde Ostasiens, 1930).

Eckardt, Andre, Music - Lied - Tanz in Korea, Abhandlungen zur Kunst-, Music- und Literaturwissenschaft, Band 51 (Bonn: H. Bouvier u. Co. Verlag, 1968).

Hahn, Man-young [Han Manyông], "Folk Songs of Korean Rural Life and their Characteristics based on the Rice Farming Songs", Asian Music, ix/2 (1978), 21-28.

Hahn, Man-young [Han Manyông], Kugak: Studies in Korean Traditional Music, translated and edited by Inok Paek and Keith Howard (Seoul: Tamgu Dang Publishing Company [T'amgudang], 1991.

Heyman, Alan C., Dances of the Three-Thousand-League Land (Seoul: Dong-A Publishing Company, Ltd. [Tonga munhwasa], 1966).

Howard, Keith, Bands, Songs, and Shamanistic Rituals: Folk Music in Korean Society (Seoul: Royal Asiatic Society, Korea Branch, 1989). 2nd ed., 1990.

Howard, Keith, Korean Musical Instruments (Hong Kong: OUP in Asia, 1995).

Howard, Keith, Joachim Bühler, and Chu Kyông-sun, "Korea", in Die Musik in Geschichte und Gegenwart, vol. 5 (Kassel: Barenreiter, and Stuttgart: Metzler, 1996), cols. 733-56.

Howard, Keith D., Bands, Songs, and Shamanistic Rituals: Traditional Music on a Korean Island, 2 vols., Ph.D. diss, Queen's University of Belfast, 1985.

Hwang Byong-ki [Hwang Pyônggi], "Aesthetic Characteristics of Korean Music in theory and in Practice", Asian Music, ix/2 (1978), 29-40.

Kaufmann, Walter, Musical Notations of the Orient (Bloomington: Indiana University Press, 1967).

Keh, Ch. S. [Kye Chôngsik], Die koreanische Musik (Strassburg, 1935). Reprinted as Sammlung musikwissenschaftlicher Abhandlungen, Band 17 (Baden-Baden: Verlag Valentin Koerner, 1972).

Korean National Commission for UNESCO, ed., Traditional Korean Music, Korean Art, 3 (Seoul: Si-sa-yong-o-sa Publishers Inc. [Sisa yôngôsa], 1983.

Korean Traditional Performing Arts Centre [Kungnip kugagwôn], The Traditional Music & Dance of Korea, ed. Alan Heyman (Seoul: Korean Traditional Performing Arts Centre, 1993).

Lee, Byong Won [Yi Pyôngwôn], Buddhist Music of Korea, Traditional Korean Music, 3 (Seoul: Jungeumsa [Chôngûmsa], 1987).

Lee, Byong Won [Yi Pyôngwôn], "Structural Formulae of Melodies in the Two Sacred Buddhist Chant Styles of Korea", Korean Studies, 1 (1977), 111-196.

Lee, Hye-Ku, Essays on Traditional Korean Music, ed. and transl. Robert C. Provine (Seoul: Royal Asiatic Society, 1981). 2nd ed., 1983.

Lee, Kang-sook [Yi Kangsuk], "Certain Experiences in Korean Music", in Musics of Many Cultures: An Introduction, ed. Elizabeth May (Berkeley etc.: University of California Press, 1980.

Lee, Kang-sook [Yi Kangsuk], "An Essay on Korean Modes", Asian Music, ix/2 (1978), 41-47.

Loken-Kim, Christine J., Release from Bitterness: Korean Dancer as Korean Woman, Ph.D. diss., University of North Carolina, 1989.

National Academy of Arts [Yesurwôn], Survey of Korean Arts: Traditional Music (Seoul: National Academy of Arts, 1973).

National Academy of Arts [Yesurwôn], Survey of Korean Arts: Folk Arts (Seoul: National Academy of Arts, 1974).

Nellen, Frank, Bibliographie zu Musik und Tanz im traditionellen Korea, Teil A: Literatur in Europäischen Sprachen, Kleine Schriften zur Koreaforschung, 1 (Bochum: Verlag Norbert R. Adami, 1984). 28 pp.

Pihl, Marshall R., The Korean Singer of Tales (Cambridge: Council on East Asian Studies, Harvard University, 1994).

Pratt, Keith L., Korean Music: Its History and Its Performance, Traditional Korean Music, 4 (Seoul/London: Jungeumsa [Chôngûmsa] and Faber Music, 1987)

Pratt, K. L., "Music as a Factor in Sung-Koryô Diplomatic Relations, 1069-1126", T'oung Pao, lxii/4-5 (1976), 199-218.

Pratt, K. L., "Some Aspects of Diplomatic and Cultural Exchange Between Korea and Northern Sung China", in Chang Sahun paksa hoegap kinyôm tongyang ûmakhak nonch'ong (Seoul: Han'guk kugak hakhoe, 1977), pp. 313-323.

Pratt, K. L., "Sung Hui Tsung's Musical Diplomacy and the Korean Response", Bulletin of the School of Oriental and African Studies xlvii/3 (1981), 509-521.

Provine, Robert C., Essays on Sino-Korean Musicology: Early Sources for Korean Ritual Music, Traditional Korean Music, 2 (edited by the Korean National Commission for UNESCO) (Seoul: Iljisa Publishing Company, 1988).

Provine, Robert C., 75 entries on Korean and Chinese musical instruments in The New Grove Dictionary of Musical Instruments, ed. Stanley Sadie, 3 vols. (London: Macmillan, 1985).

Rockwell, Coralie, Kagok: A Traditional Korean Vocal Form (Providence: Asian Music Publications, 1972).

Song, Bang-Song [Song Pangsong], Source Readings in Korean Music, Korean Traditional Music, 1 (Seoul: Korean National Commission for UNESCO, 1980).

Song, Bang-Song [Song Pangsong], The Sanjo Tradition of Korean Kômun'go Music, Traditional Korean Music, 1 (Seoul: Jung Eum Sa [Chôngûmsa], 1986)

Song, Bang-Song [Song Pangsong], An Annotated Bibliography of Korean Music (Providence: Asian Music Publications, 1971).

Song, Bang-Song [Song Pangsong], "Supplement to an Annotated Bibliography of Korean Music", Korea Journal, five installments in xiv/12 to xv/4 (1974-75).

Song, Bang-Song [Song Pangsong], The Korean-Canadian Folk Song: an Ethnomusicological Study, Canadian Centre for Folk Culture Studies, Paper No. 10 (Ottawa: National Museums of Canada, 1974).

Song, Bang-Song [Song Pangsong], "A Discography of Korean Music", Korea Journal, xvi/12 (1976), 53-67.

Song, Bang-Song [Song Pangsong], "Subject Index of Discography", Korea Journal, xvii/6 (1977), 57-66.

Song, Bang-Song [Song Pangsong], "A Discography of Korean Music", Asian Music, viii/2 (1977), 82-121.

Song, Bang-Song [Song Pangsong], "Korean Music: An Annotated Bibliography, Second Supplement", Asian Music, ix/2 (1978), 65-112.

Song Pangsong, Han'guk ûmakhak nonjô haeje, Ilban charyo ch'ongsô 81-1 (Sôngnam: Han'guk chôngsin munhwa yôn'guwôn, 1981. [Extensive bibliography on Korean music, with many entries in Western languages.]

Song, Bang-Song [Song Pangsong], "Ritual Tradition of Korea", Asian Music, viii/2 (1977), 26-46.

"Traditionelle Koreanische Musik", Koreana (Schriftenreihe der Deutsch-Koreanischen Gesellschaft, Bonn), 17/1 (1986), 13-51. Contributions by Christian Ahrens, Ingrid Fritsch, Song Yung-chan, and Heinz-Dieter Reese.

Um, Hae-kyung [Ôm Hyegyông], "Making P'ansori, Korean Musical Drama," Ph.D. diss., Queen's University of Belfast (1992).

Walraven, B. C. A., Muga: the Songs of Korean Shamanism (Leiden, 1985).